Acting Classes
Meisner Technique and Stanislavski Method

Acting Program

Foundations, Scene Study, Packages

Additional Programs
Non-Actors, Movement, Improv
Core Students
In-depth on Actorium Training
Meet Us
Instructors, FAQ, Testimonials

Embodying the Objective.

The single most important thing for an actor's performance is the Objective. In Character Development, we focus on the Super Objective; in P&A, we focus on Scene Objective. Everyone has an Objective, and if the actor is not living out the character's Objective, than...

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Perfection

I had this realization that I found helpful in my life. I noticed when I worked I usually asked myself this: Am I doing this correctly? What do they want? How can I meet their expectations? Will they be happy with this? Is this good enough? But, if I noticed my...

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Public Solitude

"All of our acts, even the simplest, which are so familiar to us in everyday life, become strained when we appear behind the footlights before a public of a thousand people." Stanislavsky It was Stanislavsky who first introduced the concept of Public Solitude as a...

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The Magic of Acting

People can be taken away by the experience of acting, truly uplifted. That experience happens when you've become completely absorbed in something outside of yourself, so much so that you lose yourself. The beginning of our training and really the base of all of our...

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The skeleton and the colour of a performance

How do you work out a plan for a performance and then drop it so that you are alive in the moment?   In the attached clip you can see Actorium student Nancy Kato's progression in her work. In the first clip (black and white)  she is focused on her Objectives without...

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